WIND INSTRUMENTS

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A wind instrument is a musical instrument that contains some type of resonator (usually a tube), in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece.



DIVJE BABE FLUTR:
The Divje Babe flute is a cave bear femur pierced by spaced holes that was found at the Divje Babe archeological park located near Cerkno in northwestern Slovenia. It has been suggested that it is the world's oldest musical instrument,but this is in dispute. The continuing dispute notwithstanding, the artifact remains on prominent public display as a flute in the National Museum of Slovenia (Narodni Muzej Slovenije) in Ljubljana. The museum's visitor leaflet maintains that manufacture by Neanderthals "is reliably proven".

In 1995, Ivan Turk found an approximately 43,100 year-old juvenile cave bear femur at the Divje Babe site, near a Mousterian hearth.

SOUSAPHONE:
The sousaphone is a type of tuba that is widely employed in marching bands. Designed so that it fits around the body of the tubist and is supported by the left shoulder, the sousaphone may be readily played while being carried. The instrument is named after American bandmaster and composer John Philip Sousa, who popularized its use in his band.

The sousaphone is a valved brass instrument with the same tube length and musical range as other tubas. The sousaphone's shape is such that the bell is above the tubist's head and projecting forward. The valves are situated directly in front of the musician slightly above the waist and most of the weight rests on one shoulder. The bell is normally detachable from the instrument body to facilitate transportation and storage. Excepting the instrument's general shape and appearance, the sousaphone is technically very similar to a standard (upright) tuba.


TUBAX:
The tubax is a modified saxophone developed in 1999 by the German instrument maker Benedikt Eppelsheim. It is available in both E♭ contrabass and B♭ or C subcontrabass sizes. It is a portmanteau between the words "tuba" and "sax."[citation needed]
Although the Tubax has the same fingering, mouthpiece, and reed as a regular saxophone, there is some controversy over whether it is technically a true saxophone since it has a much narrower (though still conical) bore. Some suggest this narrow-bore design makes the Tubax akin to the double-reed sarrusophone; however, the Tubax's bore is much larger than the corresponding size of sarrusophone's and its sound has a richer timbre and noticeably more acoustical presence.


The first size of Tubax to be developed was the E♭ contrabass. It has the same register as a regular contrabass saxophone but is much more compact and thus more manageable due to its tubing being folded more times. It takes a baritone saxophone mouthpiece. While the timbre of the E♭ Tubax is more focused and compact than that of the full-sized contrabass saxophone, it still blends well with other sizes of saxophones and can be played with great agility due to its air-efficient bore design.

SAXOPHONE:
The saxophone (also referred to simply as sax) is a conical-bored transposing musical instrument considered a member of the woodwind family. Saxophones are usually made of brass and are played with a single-reed mouthpiece similar to the clarinet. The saxophone was invented by Adolphe Sax in 1841. He wanted to create an instrument that would both be the loudest of the woodwinds and the most versatile of the brass, and would fill the then vacant middle ground between the two sections. He patented the sax in 1846 in two groups of seven instruments each. Each series consisted of instruments of various sizes in alternating transposition. The series pitched in B♭ and E♭, designed for military bands, has proved extremely popular and most saxophones encountered today are from this series. A few saxophones remain from the less popular orchestral series pitched in C and F.
While proving very popular in its intended niche of military band music, the saxophone is most commonly associated with popular music, big band music, blues, early rock and roll, ska and particularly jazz. There is also a substantial repertoire of concert music in the classical idiom for the members of the saxophone family. Saxophone players are called saxophonists.

The saxophone consists of an approximately conical tube of thin metal, most commonly brass, flared at the tip to form a bell. At intervals along the tube are between 20 and 23 tone holes of varying size, including two very small 'speaker' holes to assist the playing of the upper register. These holes are covered by keys (also known as pad cups), containing soft leather pads, which are closed to produce an airtight seal; at rest some of the holes stand open and others are closed. The keys can be controlled by a number of buttons by the left and right fingers, while the right thumb sits under a thumb rest which helps keep the saxophone balanced. The fingering for the saxophone is a combination of that of the oboe with the Boehm system, and is very similar to the flute or the upper register of the clarinet. On the larger instruments, the leverage required to play the very lowest notes (which are customarily played with the left and right little fingers) is great enough that additional keywork is introduced to enable these to be played with the thumbs.

SAXHOHN:

The saxhorn is a valved brass instrument with a tapered bore and deep cup-shaped mouthpiece. The sound has a characteristic mellow quality, and blends well with other brass.

Developed during the mid to late 1830s, the saxhorn family was patented in Paris in 1845 by Adolphe Sax. Sax's claim to have invented the instrument was hotly contested by other brass instrument makers during his lifetime, leading to various lawsuits. Throughout the mid-1850s, he continued to experiment with the instrument's valve pattern.

FLUGEHORN:

The flugelhorn (also spelled fluegelhorn, flugel horn or flügelhorn) is a brass instrument resembling a trumpet but with a wider, conical bore. Some consider it to be a member of the saxhorn family developed by Adolphe Sax (who also developed the saxophone); however, other historians assert that it derives from the keyed bugle designed by Michael Saurle (father), Munich 1832 (Royal Bavarian privilege for a "chromatic Flügelhorn" 1832), thus predating Adolphe Sax's innovative work.

The flugelhorn is built in the same B♭ pitch as many trumpets and cornets. It usually has three piston valves and employs the same fingering system as other brass instruments, but four valve and rotary valve variants also exist. It can thus be played without too much trouble by trumpet and cornet players, though some adaptation to their playing style may be needed. It is usually played with a more deeply conical mouthpiece than either trumpets or cornets (though not as conical as a horn mouthpiece).

CORNET:

The cornet is a brass instrument very similar to the trumpet, distinguished by its conical bore, compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B♭. It is not related to the medieval cornett or cornetto.

This instrument could not have been developed without the improvement of piston valves by Heinrich Stölzel and Friedrich Blühmel. In the early 19th century, these two instrument makers almost simultaneously invented the modern valves, as still used today. They jointly applied for a patent and were granted this for a period of ten years. The first notable virtuoso player was Jean Baptiste Arban, who studied the cornet extensively and published La grande méthode complète de cornet à piston et de saxhorn, commonly referred to as the Arban method, in 1864. Up until the early 20th century, the trumpet and cornet coexisted in musical ensembles. In symphonic repertoire one will often find separate parts for both trumpet and cornet. As several instrument builders made improvements to both instruments, they started to look and sound more alike. The modern day cornet is used in brass bands, concert bands, and in specific symphonic repertoire that requires a more mellow sound.

TRUMPET:

The trumpet is a musical instrument with the highest register in the brass family. Trumpets are among the oldest musical instruments, dating back to at least 1500 BC. They are constructed of brass tubing bent twice into an oblong shape, and are played by blowing air through closed lips, producing a "buzzing" sound which starts a standing wave vibration in the air column inside the trumpet.
There are several types of trumpet; the most common is a transposing instrument pitched in B♭. The predecessors to trumpets did not have valves; however, modern trumpets have either three piston valves or three rotary valves, each of which increases the length of tubing when engaged, thereby lowering the pitch.

The trumpet is constructed of brass tubing bent twice into an oblong shape. The trumpet and trombone share a roughly cylindrical bore which results in a bright, loud sound. The bore is actually a complex series of tapers, smaller at the mouthpiece receiver and larger just before the flare of the bell begins; careful design of these tapers is critical to the intonation of the instrument. By comparison, the cornet and flugelhorn have conical bores and produce a more mellow tone.
As with all brass instruments, sound is produced by blowing air through closed lips, producing a "buzzing" sound into the mouthpiece and starting a standing wave vibration in the air column inside the trumpet. The player can select the pitch from a range of overtones or harmonics by changing the lip aperture and tension (known as the embouchure). Modern trumpets also have three piston valves, each of which increases the length of tubing when engaged, thereby lowering the pitch. The first valve lowers the instrument's pitch by a whole step (2 semitones), the second valve by a half step (1 semitone), and the third valve by one-and-a-half steps (3 semitones). When a fourth valve is present, as with some piccolo trumpets, it lowers the pitch a perfec fourth (5 semitones). Used singly and in combination these valves make the instrument fully chromatic, i.e., able to play all twelve pitches of Western music. The sound is projected outward via the bell.
The trumpet's harmonic series is closely matched to the musical scale, but there are some notes in the series which are a compromise and thus slightly off key; these are known as wolf tones. Some trumpets have a slide mechanism built in to compensate.
The mouthpiece has a circular rim which provides a comfortable environment for the lips' vibration. Directly behind the rim is the cup, which channels the air into a much smaller opening (the back bore or shank) which tapers out slightly to match the diameter of the trumpet's lead pipe. The dimensions of these parts of the mouthpiece affect the timbre or quality of sound, the ease of playability, and player comfort. Generally, the wider and deeper the cup, the darker the sound and timbre.

EUPHONIUM:

The euphonium is a conical-bore, tenor-voiced brass instrument. It derives its name from the Greek word euphonos, meaning "well-sounding" or "sweet-voiced" (eu means "well" or "good" and phonium means "voice"). The euphonium is a valved instrument; nearly all current models are piston valved, though rotary valved models do exist.
A person who plays euphonium is sometimes called a euphophonist

The euphonium is pitched in concert B♭, meaning that when no valves are in use the instrument will produce partials of the B♭ harmonic series. In North America, music for the instrument is usually written in the bass clef at concert pitch (that is, without transposition), though treble clef euphonium parts, transposing down a major ninth, are included in much concert band music.In the British-style brass band tradition, euphonium music is always written this way. It can also be written in tenor clef at concert pitch, which is usually done to prevent too many ledger lines in case it is a high part. In continental European music, parts for the euphonium are sometimes written in the bass clef a major second higher than sounding.
Professional models have three top-action valves, played with the first three fingers of the right hand, plus a "compensating" fourth valve, generally found midway down the right side of the instrument, played with the left index finger; such an instrument is shown in the above picture. Beginner models often have only the three top-action valves, while some intermediate "student" models may have a fourth top-action valve, played with the fourth finger of the right hand. Compensating systems are expensive to build, and there is in general a wide discrepancy in price between compensating and non-compensating models. For a thorough discussion of the valves and the compensation system, see the article on brass instruments.

RECORDER:

The recorder is a woodwind musical instrument of the family known as fipple flutes or internal duct flutes — whistle-like instruments which include the tin whistle and ocarina. The recorder is end-blown and the mouth of the instrument is constricted by a wooden plug, known as a block or fipple. It is distinguished from other members of the family by having holes for seven fingers (the lower one or two often doubled to facilitate the production of semitones) and one for the thumb of the uppermost hand. The bore of the recorder is tapered slightly, being widest at the mouthpiece end and narrowest at the top on Baroque recorders, or flared almost like a trumpet at the bottom on Renaissance instruments.

The recorder was popular in medieval times but declined in the 18th century in favour of orchestral woodwind instruments, such as the flute, oboe, and clarinet. During its heyday, the recorder was traditionally associated with birds, shepherds, miraculous events, funerals, marriages and amorous scenes. Images of recorders can be found in literature and artwork associated with all these. Purcell, Bach, Telemann and Vivaldi used the recorder to suggest shepherds and birds in their music, a theme that continued in 20th century music.The recorder was revived in the 20th century, partly in the pursuit of historically informed performance of early music, but also because of its suitability as a simple instrument for teaching music and its appeal to amateur players. Today, it is often thought of as a child's instrument, but there are many professional players who demonstrate the instrument's full solo range. The sound of the recorder is remarkably clear and sweet, partly because of the lack of upper harmonics and predominance of odd harmonics in the sound.

PULLANGUZHAL:
The venu (Sanskrit: वेणु; veṇu) is a bamboo transverse flute used in the Carnatic music of South India. Although it is often called Carnatic flute or simply flute in English, venu is the instrument's ancient Sanskrit name. It is also called by various other names in the languages of South India, including pullankuzhal (புல்லாங்குழல்) in Tamil and also in Malayalam), and koLalu in Kannada. It is known as venu in Telugu (Andhra Pradesh).
One of the oldest musical instruments of India, the instrument is a keyless transverse flute made of bamboo. The fingers of both hands are used to close and open the holes. It has a blowing hole near one end, and eight closely placed finger holes. The instrument comes in various sizes.
The venu is associated with the Hindu god Krishna, who is often depicted playing it. This kind of flute is mainly used in South India, and also goes by the name Venu.

The venu is capable of producing two and half octaves with the help of blowing - overblowing and cross fingering. The flute is like the human voice in that it is monophonous and also has the two and half octaves sound reproduction. Sliding the fingers on and off the holes allows for a great degree of ornamentation, important in the performance of raga-based music.The venu's north Indian counterpart is called bansuri.

PICCOLO:

The piccolo (Italian for small ) is a half-size flute, and a member of the woodwind family of musical instruments. The piccolo has the same fingerings as its larger sibling, the flute, but the sound it produces is an octave higher than written. This gave rise to the piccolo's alternative name, the "ottavino". It is the highest-pitched instrument in an orchestra or band. Now only manufactured in C, piccolos were once made in D♭, as well. It was for that instrument that John Philip Sousa wrote his famous march, "Stars and Stripes Forever."
In the orchestral setting, the piccolo player is often designated as Piccolo/Flute III or even Assistant Principal. The larger orchestras have designated this position as a Solo position due to the demands of the literature. Piccolos are often orchestrated to double (i.e. to play together with) the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards.

The piccolo was originally made out of wood and was featured in many prominent composers' works. One of the earliest pieces to use the piccolo was Beethoven's Symphony No. 5 in C Minor, only playing during the final (IV) movement. Today, the piccolo can be found made from a range of materials, from plastic (or resin), to silver, to wood. Finely-made piccolos often come with a similar variety of options as the flute, such as the split-E mechanism

PEPA:

It is usually with a very short stem made from small diameter bamboo/cane/reed with the end away from the mouth capped with the horn of a buffalo.
It is an integral part of the culture of Assam.

As the bufallo population is dwindling gradually in Assam due to shrinking pastoral lands,getting a pepa is very difficult these days. Cost of a pepa in market has reached even Rs 2500.

OCTAVIN:

The octavin is a woodwind instrument with a conical bore and a single reed. As such it resembles a saxophone, and its range is similar to that of a soprano saxophone, but the octavin differs in three respects: first, its conical bore has a smaller taper than that of a saxophone; second, its body is made of wood, rather than metal; third, its usual shape is similar to that of a bassoon, having two parallel straight sections joined at the bottom, with the mouthpiece attached to the top of one section and a metal bell to the top of the other. (A few straight octavins exist, having a wooden bell; in this configuration it resembles a tarogato but has a smaller taper.) The instrument was produced in B♭ and C. One writer (Altenberg) mentions a bass octavin but no such instrument is known to have been produced. The (written) range of the octavin is from G♯3 to G6.

While invention of the octavin around 1893 is sometimes attributed to Julius Jehring, Oskar Adler and Hermann Jordan of Markneukirchen patented it.
The octavin never caught on and is an extremely rare instrument, though the American composer Jeff Britting (b. 1957) has composed a sonatina for octavin.

OBOE:

The oboe is a double reed musical instrument of the woodwind family. In English prior to 1770, the instrument was called "hautbois", "hoboy", or "French hoboy". The spelling "oboe" was adopted into English ca. 1770 from the Italian oboè, a transliteration in that language's orthography of the 17th-century pronunciation of the French word hautbois, a compound word made of haut ("high, loud") and bois ("wood, woodwind"). A musician who plays the oboe is called an oboist. Careful manipulation of embouchure and air pressure allows the player to express a large range of timbre and dynamics.

The oboe is pitched in concert C and has a mezzo-soprano to soprano range. Orchestras frequently tune to a concert A (usually A440) played by the oboe. According to the League of American Orchestras, this is done because the pitch of the oboe is secure and its penetrating sound makes it ideal for tuning purposes. The pitch of the oboe is affected by the way in which the reed is made. Variations in cane and other construction materials, the age of the reed, and differences in scrape and length of reed can affect the pitch of the instrument.


DUDUK:

The duduk (pronounced [duˈduk]) is a traditional woodwind instrument of Armenian origins, used famously in the 2000 movie Gladiator.

The duduk is a double reed instrument which has ancient origins, said to be from 1500 to 3000 years old. The earliest instruments similar to the duduk's present form are made of bone or entirely of cane. Today the duduk is exclusively made of wood with a large double reed.


CONTRABASS FLUTE:
The contrabass flute (sometimes also called octobass flute) is one of the rarer members of the flute family. It is used mostly in flute ensembles. Its range is similar to that of the regular concert flute, except that it is pitched two octaves lower; the lowest performable note is two octaves below middle C (the lowest C on the cello). Many contrabass flutes in C are also equipped with a low B, (in the same manner as many modern standard sized flutes are.) Contrabass flutes are only available from select flute makers.

The contrabass flute requires much greater force of breath to produce sound than most other wind instruments, and composers who write for this instrument might consider more frequent breaks in phrasing than one would when writing for smaller flutes. The contribution that the addition of the contrabass flute has made to the composition of flute choirs is enormous, offering at last the grounding of a true and deep bass sound. A wider, slower air stream is needed to produce a solid tone.


CLARINET:
The clarinet is a musical instrument in the woodwind family. The name derives from adding the suffix -et meaning little to the Italian word clarino meaning a particular type of trumpet, as the first clarinets had a strident tone similar to that of a trumpet. The instrument has an approximately cylindrical bore, and uses a single reed.
Clarinets actually comprise a family of instruments of differing sizes and pitches. It is the largest such instrument family, with more than a dozen types. Of these many are rare or obsolete, and music written for them is usually played on one of the more common size instruments. The unmodified word clarinet usually refers to the B♭ soprano clarinet, by far the most common clarinet.

Clarinet bodies have been made from a variety of materials including wood, plastic, hard rubber, metal, resin, and ivory. The vast majority of clarinets used by professional musicians are made from African hardwood, M'Pingo or grenadilla, rarely (because of diminishing supplies) Honduran rosewood and sometimes even cocobolo. Historically other woods, notably boxwood, were used.
Most modern inexpensive instruments are made of plastic resin, such as ABS. These materials are sometimes called "resonite", which is Selmer's trademark name for its particular type of plastic.
Metal soprano clarinets were popular in the early twentieth century, until plastic instruments supplanted them; metal construction is still used for the bodies of some contra-alto and contrabass clarinets, and for the necks and bells of nearly all alto and larger clarinets.
Ivory was used for a few 18th century clarinets, but it tends to crack and does not keep its shape well.



ARGHUL:
The arghul (Arabic: أرغول or يرغول‎), also spelled argul, arghoul, arghool, argol, or yarghul (Palestine), is a traditional Arabic musical instrument. It has been used since Ancient Egyptian times and is still used as a traditional instrument in Egypt.


The arghul is a double-pipe, single-reed woodwind instrument that consists of two tubes: a melody pipe with between five and seven holes and a longer drone (Arabic ardiyya, "ground") pipe. Its tone is similar to that of a clarinet, although a bit reedier. Unlike the similar mijwiz, the arghul only has fingering holes on one of the instrument's pipes, and the drone pipe has a detachable length that allows the player to alter the pitch of the drone.

BASSOON:
The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor registers, and occasionally higher. Appearing in its modern form in the 1800s, the bassoon figures prominently in orchestral, concert band, and chamber music literature. The bassoon is a non-transposing instrument known for its distinctive tone color, wide range, variety of character, and agility. Listeners often compare its warm, dark, reedy timbre to that of a male baritone voice.


The bassoon is made through a process that is hard and a vigorous task. First they must have the perfect woods or plastic. Bassoons sound better and have a better tone quality when the are made of wood. If they are using plastic the best they usually use is polypropylene. Second, the wood must be shaven down to size and get the fingering holes made and the key holes drilled. Next they put a liquid material on it that gives it its glossy shine and to protect it from outside forces. Next they let it dry for around a couple of days. Then they put the keys on it. It is then given treatment so that they can cork it: a process that makes it where the cork can be applied onto the bassoon. To continue they try out the bassoon with a good bocal and a good reed; then they put it together finally. If it doesn't have a good tone depending on the kind of bassoon it is, they will either trash it and make a new one or they will try to fix it and tune it up.

BASS CLARINET:
The bass clarinet' is a musical instrument of the clarinet family. Like the more common sopran B♭ clarinet, it is usually pitched in B♭ (meaning it is a transposing instrument on which a written C sounds as B♭), but it plays notes an octave below the soprano B♭ clarinet.Bass clarinets in other keys, notably C and A, also exist, but are very rare.

The bass clarinet' is a musical instrument of the clarinet family. Like the more common soprano B♭ clarinet, it is usually pitched in B♭ (meaning it is a transposing instrument on which a written C sounds as B♭), but it plays notes an octave below the soprano B♭ clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare.

BASS FLUTE:
The bass flute is the bass member of the flute family. It is in the key of C, pitched one octave below the concert flute. Because of the length of its tube (approximately 146 cm), it is usually made with a "J" shaped head joint, which brings the embouchure hole within reach of the player. It is usually only used in flute choirs, as it is easily drowned out by other instruments of comparable register, such as the clarinet.


The instrument's sounding range is from C3, one octave below middle C, to C6 two ledger lines above the staff. Bass flute music is written an octave higher than it sounds which is the typical concert flute range (C4 to C7). Notes written above A6 are not often used as they are difficult to produce and have inferior tone. Because manufacturers do not taper the flute body through the curve, intonation of all notes beginning with written D6 and higher tend sharp. The player can bend them in tune through blowing technique or use alternate fingerings.

HARMONICA:
The harmonica is a free reed wind instrument which is played by blowing air into it or drawing air out by placing lips over individual holes (reed chambers) or multiple holes. The pressure caused by blowing or drawing air into the reed chambers causes a reed or multiple reeds to vibrate up and down creating sound. Each chamber has multiple, variable-tuned brass or bronze reeds which are secured at one end and loose on the other end, with the loose end vibrating and creating sound.

Reeds are pre-tuned to individual tones, and each tone is determined according to the size of reed. Longer reeds make deep, low sounds and short reeds make higher-pitched sounds. On certain types of harmonica the pre-tuned reed can be changed (bending a note) to another note by redirecting air flow into the chamber. There are many types of harmonicas, including diatonic, chromatic, tremolo, orchestral, and bass versions.

ALBOKA:

The alboka is a double hornpipe or clarinet native to the Basque Country.
Although the alboka is a woodwind instrument, its name is derived from the Arabic "al-bûq" (البوق) (literally "the trumpet" or "the horn"). Though long identified with the Basque people, according to some scholars the instrument was originally native to Asia and may have been brought into Iberia by the Arab conquest. It was evidently already established in Spain by the time of the 13th-century "Poema de Alexandre," in which it is mentioned by name, and there are apparent representations of the instrument in surviving medieval sculptural church decorations.


Among recent players of the instrument are Ibon Koteron and Alan Griffin, an Irish-born member of a Basque ensemble named after the instrument.


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